Helen
Levitt
American
photographer 1913-2009
Her
black and white photographs from the early 1940's describes the streets of New
York City. Her pictures features children playing, seniors gossiping and
everyday errands. She didn't intend her street photography to be documentary
but to capture the energy and interactions of people.
Helen Levitt's capacity to take pictures of people so close up without them noticing or posing for the picture is key to the quality and energy of her work . The protagonists don't notice her and don't change their behavior around her. She must have gained their approval or saw her as a local, not someone there to document or analyse their lifestyle but one of them.
Helen Levitt's capacity to take pictures of people so close up without them noticing or posing for the picture is key to the quality and energy of her work . The protagonists don't notice her and don't change their behavior around her. She must have gained their approval or saw her as a local, not someone there to document or analyse their lifestyle but one of them.
The
work I find the most powerful is her portraits of children playing with what
they can find in their local streets of New York City. She captures the kids'
innocence and happiness. Her work is powerful, objective and poetic. The
composition of patterns, colour, people's bodies make her work recognisable
from any other streetscape photographers.
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