Robert Frank. New York City 1947 |
Lee Friedlander: Mannequin |
Lee Friedlander. New York City, 1966 |
One of the first Robert Frank’s photographs in the United
States, captured the reflection on the street after a summer heavy rainfall
near the Central Park. This photo is composed upside down to emphasize the building
reflection on the puddle, while also showing a glimmer motion of activity on
the street.
Using a hand-held 35mm camera, Lee Friedlander photographs
of mannequin have a weirdly odd composition that manipulates the reflection on
the storefront windows with mannequin as the main object. The photographs are
intended to reflect the notion of sex, fashion, and consumerism in the big city
lifestyle.
The last photograph is
another work by Friedlander using shadow reflection as an important of his
composition. The picture was taken in New York City in 1966 when he captured
his own shadow on a woman’s back. I like how he uses things that are less “valuable”
objects into the main piece on his photography composition.
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