|Robert Frank. New York City 1947|
|Lee Friedlander: Mannequin|
|Lee Friedlander. New York City, 1966|
One of the first Robert Frank’s photographs in the United States, captured the reflection on the street after a summer heavy rainfall near the Central Park. This photo is composed upside down to emphasize the building reflection on the puddle, while also showing a glimmer motion of activity on the street.
Using a hand-held 35mm camera, Lee Friedlander photographs of mannequin have a weirdly odd composition that manipulates the reflection on the storefront windows with mannequin as the main object. The photographs are intended to reflect the notion of sex, fashion, and consumerism in the big city lifestyle.
The last photograph is another work by Friedlander using shadow reflection as an important of his composition. The picture was taken in New York City in 1966 when he captured his own shadow on a woman’s back. I like how he uses things that are less “valuable” objects into the main piece on his photography composition.